KOMODO-Xis the next evolution in the KOMODO family, multiplying the frame rates, dynamic range, and usability of the original KOMODO to break new grounds. Now supercharged by the Nikon Z mount.
NOW WITH NIKON Z MOUNT
The KOMODO-X Z Mount, part of the new Z CINEMA Series, now features a native locking Nikon Z mount, introducing Nikons latest optical innovations into the cinema market. Close coordination between Nikon and RED brings Z lenses into the cinema style shooting experience, with advanced features such as smooth iris control, customizable lens response, and adjustable auto focus speeds. Given the shallow flange depth, the Nikon Z mount is compatible with even more lens systems using third-party adapters.
NEXT GENERATION KOMODOSENSOR
KOMODO-X features the same sized 6K S35 Global Shutter sensor as the KOMODO, but with a ground up redesign and key architecture improvements.
Improved detail and color in shadows, paired with double the frame rates at 6K 80P and 4K 120P makes KOMODO-X an even more powerful tool for creatives.
ENHANCED BODY AND I/O
With key improvements for professional workflows, the KOMODO-X now shares many features with the DSMC3 line while still maintaining the impressively small KOMODO form factor. An integrated micro V-Lock allows for direct attachment of professional micro V-Lock batteries without the need for adapters and is also compatible with the RED Pro I/O Module to provide auxiliary power and compatibility with full sized V-Lock and Gold Mount batteries.
A reinforced Nikon Z lens mount with locking mechanism maintains the flexibility of toolless switching between multiple lens mount types, while providing the stability and rigidity professionals need. KOMODO-X is also fully compatible with /i PL lenses using the RED Z to PL Adapter.
12G SDI, full sized DC-IN, USB Type-C, and a phantom powered locking audio connector further enables KOMODO-X to seamlessly integrate into any professional workflow. KOMODO-X is compatible withDSMC3RED5-Pin to Single 3.5mm Adapterto support existing KOMODO microphones, or theDSMC3RED5-Pin to Dual XLR Adapterfor general purpose XLR microphones.
An integrated 2.9 LCD allows for simplified control and image preview in compact setups. For more precise monitoring, KOMODO-X supports theDSMC3REDTouch 7.0″ LCDwhich provides a daylight viewable, high-resolution, camera top monitor and control solution without the mess of cables.
IP CONNECTED
KOMODO-X is a powerful platform for any IP based workflow, from Virtual Production to Live Broadcast. With integrated USB Type-C connection and built-in Wi-Fi, remotely control the camera using RED Control or RED Control Pro, as well as IP media offloading using FTPS or in-camera Cloud Uploading functionality (Frame.ioand S3). In addition, KOMODO-X supports frame-accurate PTP synchronization or tri-level genlock sensor sync with the ability to offset on the fly to support multi-camera LED volume productions.
KOMODO-X also supports RED Connect, a licensed feature that allows for live broadcasting of 6K images directly from the camera over IP, expanding REDs cinematic imagery into boundless new uses.
KOMODO-X
| SENSOR TYPE |
KOMODO-X 19.9MP Super 35mm Global Shutter CMOS |
| EFFECTIVE PIXELS |
6144 x 3240 |
| SENSOR SIZE |
27.03 mm x 14.26 mm (Diagonal: 30.56mm) |
| DYNAMIC RANGE |
16.5+ stops |
| MOUNT TYPE |
Integrated locking Nikon Z mount with electronic communication
Supports /i PL lenses with RED Z to PL Adapters
Supports Nikon FTZ II Adapter with communication and other adapters based on the Nikon Z mount |
| MAX DATA RATES |
Up to 560 MB/s using RED branded or other qualified CFexpress media cards[1] |
| REDCODE RAW MAX FRAME RATES |
80 fps at 6K 17:9 (6144 x 3240)
96 fps at 5K 17:9 (5120 x 2700))
120 fps at 4K 17:9 (4096 x 2160)
240 fps at 2K 17:9 (2048 x 1080) |
| PLAYBACK FRAME RATES (PROJECT TIME BASE) |
23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions |
| BEST AVAILABLE REDCODE SETTINGS |
REDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 (6144 x 3240) up to 80 fps
REDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 (4096 x 2160) up to 120 fps
REDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 (2048 x 1080) up to 240 fps |
REDCODE RAW
ACQUISITION FORMATS |
6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9. 1:1, and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
5K 17:9 (5120 x 2700) and 16:9
4K 17:9 (4096 x 2160) and 16:9
2K 17:9 (2048 x 1080) |
| APPLE PRORES |
Dedicated recording in 4K (4096 x 2160) ProRes 4444 XQ up to 60 fps, ProRes 4444 up to 80 fps, and ProRes 422 HQ, ProRes 422, and ProRes 422 LT up to 120 fps |
| CONSTRUCTION |
Aluminum Alloy |
| DIMENSIONS |
129.37 x 101.26 x 95.26 mm / 5.1 x 4 x 3.8 in (LxWxH, largest fixed dims.) |
| WEIGHT |
2.62lbs (without body cap and CFexpress card) |
| MEDIA TYPE |
CFexpress Type B |
| BATTERY TYPE |
Integrated V-Lock battery interface optimized for Micro V-Lock Batteries[1] |
| DC POWER INPUT |
11-17V via 6-pin DC-IN |
| OPERATING TEMPERATURE |
0C to 40C (32F to 104F) |
| STORAGE TEMPERATURE |
20C to 50C (4F to 122F) |
| STORAGE RELATIVE HUMIDITY |
0% to 85% non-condensing |
| COLOR MANAGEMENT |
Image Processing Pipeline 2 (IPP2)
Supports 333333 3D LUTs
Supports import and adjustment of CDLs |
| AUDIO |
Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz
Integrated dual channel (mic/line/+48V) input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz |
| AUTOFOCUS |
Phase Detect and Contrast |
| MONITOR OPTIONS |
Proprietary Top Accessory Port for Monitoring and Control
Integrated 2.9″ 1440×1440 touchscreen LCD with preview and camera control
Integrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes
12G-SDI: Up to 4096 x 2160 4:2:2 for 60p
6G-SDI: Up to 4096 x 2160 4:2:2 for 30p
3G-SDI: Up to 2048 x 1080 4:2:2 for 60p
1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
| ADDITIONAL I/O |
Tri-Level Genlock Input via 9-Pin EXT
LTC Timecode Input via 9-Pin EXT
RS232 CTRL (using RCP2) via 9-Pin EXT |
| IP CONNECTED |
Wi-Fi (2.4GHz/5GHz) for camera control, video preview, and media offloading
Ethernet via USB Type-C for camera control, video preview, and media offloading
MJPEG 1080p live stream accessible through Wi-Fi and USB-C.
PTP for frame level synchronization
R3D live broadcasting available with RED Connect License and 5Gbps Ethernet Adapter |
| RED CONTROL & RED CONTROL PRO |
Access full camera controls and live preview from iOS or Android devices
Pro App: Operate one or multiple cameras over an IP connection to synchronize settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location.
Standard app available from the Apple App Store and Google Play Store.
RED Control Pro available via Apple App store only and requires additional purchase.
RED Control works wirelessly or wired via USB-C |
INCLUDED:
- 1x KOMODO-X Z Mount Camera
- 1xDSMC3 RED Touch 7 LCD
- 2xRED PRO CFexpress 1TB
- 1xRED CFexpress Card Reader
- 1xRED Pro Gold Mount I/O Module
- 1xRED Compact Top Handle
- 1xDSMC3 RED 5-Pin to Dual XLR Adapter
- 1 Year Standard Warranty (camera only)
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